This is one of my favorite examples of 9/4:
Aurora's Aura, by Lindsey Boullt off of his 'Composition' Album,
which consists of 7/4, 9/4, 5/16 & 9/16.
Have a listen to a sample of the 9/4 section.
Pretty cool eh?
-BetZe13
OddTimeObsessed.com Tune in
.
Showing posts with label Lindsey Boullt. Show all posts
Showing posts with label Lindsey Boullt. Show all posts
Friday, September 4, 2009
Thursday, March 13, 2008
INTERVIEWS!!!!
Well its finally here....
OddTimeObsessed.com
Interview with Lindsey Boullt.
I had the fortunate occasion to interview this exceptional musician/shredder/composer. He is a fantastic person and offers some unique insights to what odd meters mean and the writing process. Also his favorite meter is......
I had the fortunate occasion to interview this exceptional musician/shredder/composer. He is a fantastic person and offers some unique insights to what odd meters mean and the writing process. Also his favorite meter is......
Interview with WRY
Wry is a diverse singer/songwriter who delves in acoustic, electronica and death metal realms. I was in a band with him for a bit and he is an interesting artist to work with. Check out what he has to say about meters and the writing process.
More to on the way too...
Keeping you ODD,
-B
Saturday, September 8, 2007
Happy 9/8
(oh seven that is..)
There are many ways you can play 9/8 such as:
in groupings 3222 - 2322 – 2232 – 2223
441 – 414 – 144
432 – 324 – 234 etc etc
or combo feels 6/8 + 3/8, 7/8 + 2/8, 4/8 + 5 /8
or 3/4 with a triplet feel
or just plain 9 with an eight note feel which is quite different from a quarter note feel.
In celebration of this odd metered day
these fine examples will be on this weekly broadcast:
The Start of Something Beautiful – Porcupine Tree 9/8, 4/4
Igor Russo – Drums & Tuba 9/8
Mucous Music - fred 9/8, 7/8, 4/4
Auroa's Aura - Lindsey Boullt 9/8, 7/8
Brain Seed - Kreator - 9/8 intro
To hear the contrast these 9/4 tracks will be in the broadcast as well:
Blue Rondo a la Turk - Brubeck, Dave Quartet 9/4
In the Absence of the Sacred - Lamb of God 7/4, 6/4, 9/4, 4/4
Jambi - Tool 9/4
Straight Outta HK - Say Bok Gwai 9/4
Also this week some new finds:
Drums & Tuba - odd metered tracks from Vinyl Killer and Mostly Ape
Funky creative art rock trio from Nawlins - why haven't I heard of them before? Where have I been?
Ekova - World Fusion featured tracks from "Space Lullabies And Other Fantasmagore" and "Heaven's Dust". There wasn't too much info on this artist, but she is a one of a kind singer with other worldly sounds.
- Have an ODD week -
Keep it ODD,
Countess B
OddTimeObsessed.com
There are many ways you can play 9/8 such as:
in groupings 3222 - 2322 – 2232 – 2223
441 – 414 – 144
432 – 324 – 234 etc etc
or combo feels 6/8 + 3/8, 7/8 + 2/8, 4/8 + 5 /8
or 3/4 with a triplet feel
or just plain 9 with an eight note feel which is quite different from a quarter note feel.
In celebration of this odd metered day
these fine examples will be on this weekly broadcast:
The Start of Something Beautiful – Porcupine Tree 9/8, 4/4
Igor Russo – Drums & Tuba 9/8
Mucous Music - fred 9/8, 7/8, 4/4
Auroa's Aura - Lindsey Boullt 9/8, 7/8
Brain Seed - Kreator - 9/8 intro
To hear the contrast these 9/4 tracks will be in the broadcast as well:
Blue Rondo a la Turk - Brubeck, Dave Quartet 9/4
In the Absence of the Sacred - Lamb of God 7/4, 6/4, 9/4, 4/4
Jambi - Tool 9/4
Straight Outta HK - Say Bok Gwai 9/4
Also this week some new finds:
Drums & Tuba - odd metered tracks from Vinyl Killer and Mostly Ape
Funky creative art rock trio from Nawlins - why haven't I heard of them before? Where have I been?
Ekova - World Fusion featured tracks from "Space Lullabies And Other Fantasmagore" and "Heaven's Dust". There wasn't too much info on this artist, but she is a one of a kind singer with other worldly sounds.
- Have an ODD week -
Keep it ODD,
Countess B
OddTimeObsessed.com
Sunday, August 26, 2007
Lindsey Boullt - Composition CD Review
CD review Lindsey Boullt “Composition” world/fusion/metal filed under “easy listening”
Move over Kenny G here comes Lindsey B.
This is my kind of easy listening.
(Quite obviously this was a mis-categorization and which I think has been remedied to Rock.)
Move over Kenny G here comes Lindsey B.
This is my kind of easy listening.
(Quite obviously this was a mis-categorization and which I think has been remedied to Rock.)
Lindsey Boullt is a guitar player from San Francisco who has an impressive roster in attendance on this debut; Stu Hamm, Jerry Goodman (Mahavishu Orchestra), Jon Herra (Bass Player Magazine) and Mingo Lewis (Miles Davis) to name a few.
“Composition” consists of ten compositions each with its unique sound. Each sound as if they were written with the history and styles of the musicians involved in mind. Lindsey has his own virtuoso style and remains diverse throughout. He is also an accomplished composer who likes to use odd meters which gets me to….
…..the obsession – here’s the tracks:
“Composition” consists of ten compositions each with its unique sound. Each sound as if they were written with the history and styles of the musicians involved in mind. Lindsey has his own virtuoso style and remains diverse throughout. He is also an accomplished composer who likes to use odd meters which gets me to….
…..the obsession – here’s the tracks:
(Thank you Lindsey for your dissection.)
Page Revisited 5/4, 4/4
Chasing the Whirling Dervish 12/8
Moving Panvishnu 7/8
Calling for Peace 4/4 some 6/4, 2/4
Bravo Davo de la Torre 4/4
Aurora’s Aura 7/4, 9/4, 5/16, 9/16
Groovin’ with Stu 4/4
Taste of Hate 15/8, 9/8
Farewell 4/4
Cleopatra’s Third Eye 7/8, 4/4, 7/4, 6/4, 6/8, 9/8, 15/8, 10/8
He sure likes to keep it interesting. There is a diverse assortment of rhythms and feels on this album. I like the tasteful use of straight and mixed odd meters. I have to say, my favorite track is “Aurora’s Aura”, not because of the cute name, or because of its mixed meters but it has succeeded in sounding like a resurgence of Mahavishnu Orchestra with a new guitar player. I also like “Page Revisited” and the use of the 12 string. Here comes Page that has practiced 12 hours a day and now knows 5/4. Also, the sitar playing is amazing and feels right at home on “Taste the Hate” and “Cleopatra’s Third Eye”. All of the musicians on this album are quite seasoned, proficient and have their own distinct style.
This album has succeeded in capturing the spirit of its musicians through composing and performance. It sounds as if, as Lindsey chooses his musicians, he hones in on their style/history and builds the composition around that. I wonder how much improv was going on it all sounded inspired yet pre-composed, a hard balance to achieve.
Lindsey Boullt is quite the shredder with his own style and sometimes reminds me of Satriani and sometimes Jason Becker. He plays for the music with out sounding like he’s taking a typing test or is a MIDI program. If you dig this genre, or are in the mood for some different rhythms, then this CD comes highly recommended LindseyBoullt.com. Add it to your cool easy listening collection.
Countess B
Odd Time Obsessed
Page Revisited 5/4, 4/4
Chasing the Whirling Dervish 12/8
Moving Panvishnu 7/8
Calling for Peace 4/4 some 6/4, 2/4
Bravo Davo de la Torre 4/4
Aurora’s Aura 7/4, 9/4, 5/16, 9/16
Groovin’ with Stu 4/4
Taste of Hate 15/8, 9/8
Farewell 4/4
Cleopatra’s Third Eye 7/8, 4/4, 7/4, 6/4, 6/8, 9/8, 15/8, 10/8
He sure likes to keep it interesting. There is a diverse assortment of rhythms and feels on this album. I like the tasteful use of straight and mixed odd meters. I have to say, my favorite track is “Aurora’s Aura”, not because of the cute name, or because of its mixed meters but it has succeeded in sounding like a resurgence of Mahavishnu Orchestra with a new guitar player. I also like “Page Revisited” and the use of the 12 string. Here comes Page that has practiced 12 hours a day and now knows 5/4. Also, the sitar playing is amazing and feels right at home on “Taste the Hate” and “Cleopatra’s Third Eye”. All of the musicians on this album are quite seasoned, proficient and have their own distinct style.
This album has succeeded in capturing the spirit of its musicians through composing and performance. It sounds as if, as Lindsey chooses his musicians, he hones in on their style/history and builds the composition around that. I wonder how much improv was going on it all sounded inspired yet pre-composed, a hard balance to achieve.
Lindsey Boullt is quite the shredder with his own style and sometimes reminds me of Satriani and sometimes Jason Becker. He plays for the music with out sounding like he’s taking a typing test or is a MIDI program. If you dig this genre, or are in the mood for some different rhythms, then this CD comes highly recommended LindseyBoullt.com. Add it to your cool easy listening collection.
Countess B
Odd Time Obsessed
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